The August instalment of Conversations@theDSM will be the fifth. So we thought we will step up and do something interesting to mark the occasion. So we got internationally renowned playwright and director Mohit Takalkar, who will be interviewed by his colleague and friend, a young director and actor, Aalok Rajwade.
Mohit has had an immense experience internationally as well. Not only have Mohit’s productions have gone abroad, but he has also worked on the directorial aspect of international productions with the likes of the legendary Tim Supple. Aalok, on the other hand, has been making heads turn with his out of the box, socially aware Marathi plays. Be it experimenting with format, presentation or content, Aalok has all the feathers in his cap.
Both these Punekars will grace the DSM with their presence on the 19th August, with the talk starting at 5 pm.
About Mohit Takalkar
Mohit had his first exposure to theatre at Progressive Dramatic Association (PDA) before setting up his own theatre group Aasakta in Pune in 2003. He has been active in various aspects of theatre for the past eighteen years earning a reputation for the group and him, with his works; widely acclaimed by both the audience and the critics. His plays have toured the length and breadth of India and have also been invited to National and International festivals.
Since his first play, Girish Karnad’s Yayati in 1999, Mohit has directed other notable plays which include ‘Mein Huun Yusuf Aur Ye Hai Mera Bhai’, ‘Uney Purey Shahar Ek’, ‘Gajab Kahani’, ‘Garbo’, ‘Kashmir Kashmir’, and ‘Chotyashya Suttit’. He has directed plays in Marathi, Hindi, Urdu, English, Rajasthani and Kannada.
He was invited at the Lincoln Centre in New York to participate in The Directors Lab and at the Performing Arts meet in Yokohama, Japan. He assisted celebrated director Tim Supple in his version of Midsummer Night’s dream performed all over the World.
He has been awarded the prestigious Homi Bhabha Fellowship, Bismillah Khan Sangeet Natak Award, META, Aditya Vikram Birla Kalakiran Puraskar, Sahitya Rangbhoomi Fellowship, Zee Gaurav Puraskar, Maharashtra State Award etc.
About Aalok Rajwade
Aalok Rajwade has played an active and contributive part in the Marathi experimental theatre scenario for the past nine years as an actor as well as a director.
With critically acclaimed plays like ‘Geli 21 Varsha’, ‘Mi…Ghalib’, ‘Natak Nako’ ,’Sivacharitra ahi Ek’, ‘Tichee 17 prakarane’ and ‘Binkamache Samwad’ as his directorial ventures, he is considered to be an upcoming director with an eye for the aesthetics and a vision to go beyond the obvious. As an actor, he has performed vivid roles in the plays ‘Bed ke neeche renewali’, ‘Dalan’, ‘Ashadhatil ek diwas’ and many more.
In the past, he has got the opportunity to showcase his skills at prestigious theatre festivals such as ‘META’, ‘Jashn E Bachpan’ and ‘Bharat Ranga Mahotsav’ at ‘NSD’, ‘Summertime Festival’ at Prithvi, ‘Thespo International’ as well as in ‘Universo Theatro Festival’ and ‘Rosobastardo festival’, Italy.
He is a proud holder of the Vinod Doshi Fellowship, Damu Kenkre Puraskar, Nargis Datta puraskar AND Lakshmikant Berde puraskar which has only helped him work on his skills even more.
Conversations are a tradition in theatre. And so, the DSM brings an entire series of discussions, talks and conversations, curated for the first weekend of every month. Our purpose in these conversations is twofold. First, we celebrate the bond between guru-shishya. Teachers in school, professors in college, coaches at the gym and directors in the rehearsal hall – all mentors have taught you something through conversations. That something makes you the person you are today.
The second purpose in these conversations is to celebrate Rekha Sabnis.
Rekha Sabnis was a one-woman theatre army. She ran theatre group Abhivyakti from her house. She took care of sets, costumes, bookings, transport, tickets as well as acting and directing. Abhivyakti starting performing at the Mumbai Marathi Sahitya Sangh, the same building that houses the DSM today. Rekha Sabnis was a key force behind the DSM-Sahitya Sangh partnership. And this partnership makes our work forging a new generation of theatre-makers, possible.
Rekha passed away in September last year, studying elements of the Natya Shastra till the very last.
Conversations@theDSM started in April. It is our small way of paying tribute to a great spirit who made theatre a little bit better for us all. These conversations form part of an ongoing series of talks between theatre-makers young and old. The entire series has been curated by Yugandhar Deshpande and Anuja Kale of Theatre Across.