The Stage is Materializing: Material and materiality in theatre

What do tea cups, salt shakers, Dame Judi Dench, and bits of PVC tubes all have in common? They have all played prominent roles in critically acclaimed and thought-provoking theatre around the world.   Material has always been part of the general world of theatrical performance, serving as props, sets, costumes, make up, lights and sound. Everything we see when we watch a play which isn’t a human body is technically “material” of course. Yet, when we speak of “Material Theatre”,...


In Discussion: Theatre Festivals of India - Value and Judgement

In Discussion: Theatre Festivals of India – Value and Judgement by Shruti Achesh  _______________________________________________________________ One Night Only at the Hindu Theatre Fest 2018 Photo Courtesy The Hindu Mahabharat at the Vinod Doshi Festival Pune 2018 Photo Courtesy Katkatha Hampi Utsav Photo Courtesy – Travel Triangle DRIFT Photo Courtesy – The Hindu ...


Finding the Classic in the Contemporary: An interview with Mangai

In conversation with Lavanya Narayanan                Mangai (aka. V Padma) at her home in Chennai. Pic Courtesy: The Hindu V. Padma sits in a chair in her cozy home. Surrounding her is her in-home library: a bibliophile’s wonderland, it holds what many theatre students can only dream of. But for Padma, or Mangai – as she is known in the theatre arena – the books represent much more than a petty fascination. They are her life. “I am an academician,” she admits proudly. And yet,...


“With Age Comes Wisdom And Compassion!” - An Interview With Anamika Haksar

The Drama School Mumbai interviewed Anamika Haksar, theatre director and drama pedagogue on why she loves playing two different roles. She also shared her views on training and practice young people need to become terrific performers. Read more to get your set of advice…Image sourced from Pandolin. Anamika and I have scheduled an interview at her apartment in Mumbai but I am secretly scared. Upon reaching there, my eyes are wandering all over her living room. They rest upon the piles of...


Premanad Gajvee

कलेला वारंवार सिद्ध करावे लागते

प्रेमानंद गज्वी (१९४७-ह्यात) हे नव्वदोत्तरी मराठी नाटककार, लेखक व कवी आहेत. सामाजिक बांधिलकीचे भान ठेवून समाजातील विदारक सत्य प्रभावीपणे मांडणे यासाठी ते प्रसिद्ध आहेत. त्यांच्या “घोटभर...


Let Your Voice be Heard: Musings and mechanics of the new age of oral storytelling

by Zohra Malik Photo via Gratisography Once upon a time; in a place that could be anywhere in the world; people gathered to tell stories. Everything, from the neighbourhood gossip to legends and myths, took shape through recounted narratives. Today, in an era where voices are being silenced by the noise of gunshots fired outside homes, let us go down the rabbit hole and explore where storytelling came from and where it is headed to.


DON'T PANIC: GST and its Impact on the Performing Arts

DON’T PANIC!  GST and its impact on the Performing ArtsWritten by Zohra Mallik & Hina Siddiqui The Goods and Services Tax was finally rolled out on the 1st of July 2017 at the stroke of  midnight. After all, our Government does have a flair for the dramatic. But what really, is the fuss and mayhem about? Over a hundred and fifty countries have implemented  GST (roses by other names) over the years and their populations came through the capitalist scourge just fine.India’s...


Pai Paishachi Goshta: Play@theDSM

People have changed with the changing times. The parameters of happiness have changed. Also the approach towards the practical and financial affairs has changed. An old lady summarisesthis change in her own words. A story of an old lady “Pai Paishachi Goshta” Pai Paishachi Goshta is based on a story by eminent writer Dr. Vijaya Rajadhyaksha. Adapted and directed by Vipul Mahagaonkar, the play had its first show in 2015, and has had numerous shows across the country. The play has...


Documenting Theatre in India: Research in to Theatre Lives

by Zohra Malik   How much do we really know theatre and theatre-makers in India? Documenting theatre is vital. Yet, a casual Google search in all likelihood will yield little documenting of solid value.  Research & Praxis is such a vital strand of the programme at the DSM because it addresses this imbalance. It also embeds students in the living culture of theatre-making and encourages them to document, research and record the work of numerous individuals who stand at the edge of the...


Conversations@theDSM: Sunil Shanbag and Sapan Saran

Image Courtesy: thehindu.com   Fourth instalment of Conversations@theDSM brings to you theatre maverick Sunil Shanbag, and writer, poet, actress Sapan Saran, who will talk about their initiative Tamaasha Theatre, Sunil Shanbag’s plays, the changing trends in theatre, and the relevance of theatre in today’s world. Continuing with the Guru-Shishya tradition, Sapan who has grown under the mentorship of Sunil Shanbag will be interviewing the latter.   About Sunil Shanbag Sunil...