"Marathi Theatre opens door for Brecht, Moliere" Times of India writes about our plays.
To read the full article go here – https://timesofindia.indiatimes.com/city/mumbai/Marathi-theatre-opens-doors-to-Brecht-Moliere/articleshow/28416044.cms
"It's a case of daat aani chane" – Head of the Mmb Mrthi Sahitya Sangh making The Drama School happen.
Read the full Mumbai Marathi article here – https://www.mumbaimirror.com/others/sunday-read/Goldman-in-Girgaum/articleshow/27742930.cms
The DSM Commences!
DSM Batch 2013-14!
The Drama School, Mumbai stall at Education Show 2013
Come visit The Drama School, Mumbai stall at Edutainment Show 2013 at J. W. Marriott on 4th & 5th May between 10am-7pm. For more details go here.
Information Session In Mumbai
At the Mumbai Marathi Sahitya Sangh, Girgaum Time: 11am-1pm On Sunday, 28th April and again on the Sunday after, 5th May. Meet the Faculty as they talk about the school and the course in detail. For more details go here.
"The Stage is Set" Hindu Newspaper
The Drama School, Mumbai gets featured in The Hindu. You can read it online here.
Mid-Day says High Drama Expected At This School
The Drama School, Mumbai gets featured in Mid-Day You can read it online here.
The Drama School Gets Featured in the Mumbai Mirror
Yay! Our first press article, with kind thanks to Reema Gehi. You can read it online here.
Kalki Koechlin talks about Theatre Professionals
Kalki Koechlin, Actor, Writer, Director, Participant, Intensive Drama Program 2009 “The chance to work with the likes of Anamika Haksar Sankar Venkateswaran would never have been possible if it weren’t for Theatre Professionals. I cannot think of any other theatre centric teaching facility in the city that is as consistent and reliable in terms of […]
Manasi Racch talks about Theatre Professionals
Manasi Racch, Actor Every time I’ve done a workshop with Theatre Professionals, I have always learnt, improved and evolved as an actor. The idea of a theatre school sounds really exciting. Coming from Jehan and his talented team, one can expect a kind of training that will take any actor a long way. I think […]
Quasar Thakore Padamsee talks about Theatre Professionals
Quasar Thakore Padamsee Artistic Director, Q Theatre Productions. Founder, Thespo Theatre in Bombay has gone through many phases. Each phase building upon the last. The Chabbildas Movement, Prithvi, Thespo are all chapters in the city’s theatre landscape. The work the TPPL is doing looks certain to be the next BIG phase for Bombay theatre. For […]
Sanjna Kapoor talks about Theatre Professionals
Sanjna Kapoor Co-founder, Junoon Theatre Group “We are at a curious time in Bombay today. I believe it is a time of great hope. Where the theatre community seems to feel a need for training and bettering its skills, where the audience is willing to pay more for theatre tickets and where the corporate world is […]
Gulshan Devaiah talks about his experience at TPPL's IDP
Gulshan Devaiah, Actor Participant, Intensive Drama Program 2009 “I generally consider myself a film actor (because i love it) although my foundation is theatre. I believe that actors must expose themselves to all kinds of art . An active mind creates an active imagination. The IDP workshop (2009 batch ) was very critical in my development […]
Kunal Kapoor talks about his experience at TPPL's Intensive Drama Program
Kunal Kapoor, Actor Participant, Intensive Drama Program 2011 “I think what I got most from the workshop was awareness. Whether it was awareness of my physical self or my surroundings, awareness of my voice and the sounds around me, and awareness of the possibilities available to me as a performer. The whole workshop for me was […]
Atul Kumar talks about Theatre Professionals
Atul Kumar, Artistic Director, The Company Theatre Under the aegis of Theatre Professionals, Jehan Manekshaw has made possible for Mumbai-learnings from various teachers and masters of traditional and modern theatre forms from all over India and abroad. The skills, techniques and ideas acquired by students in an intensive programme are then contextualised in contemporary practise. […]